Showing posts with label stieg larsson. Show all posts
Showing posts with label stieg larsson. Show all posts

Friday, November 20, 2015

November Minis: Lisbeth Salander & Nonfiction!

Hi, friends!  I know that November is not over, but I don't really want to include more than 3 mini-reviews in one post, so here's a little recap of what I've read so far this month.

The Girl in the Spider's Web by David Lagercrantz
Knopf, 2015
borrowed from the library

You've heard of the Girl with the Dragon Tattoo series by Stieg Larsson, yes?  One of my FAVORITE series in the history of all series.  When I got to the end of the 3rd book and realized that Larsson had died before he could continue Salander and Blomkvists's stories, I was devastated.  However, David Lagercrantz got permission from Larsson's family to continue the series on his own, and now we have this 4th installment of Larsson's brainchild.

Here's the deal: if you're a devout Salander/Blomkvist fan, you have to go into this book knowing that Lagercrantz can't resurrect the dead.  He can't write in EXACTLY the same tone and style that Larsson did.  But you know what?  He does a damn good job trying.  I found myself being very critical and picky at the beginning (how could I not?).  Some of the new characters introduced were basically walking stereotypes, the overall tone didn't feel dark enough, etc.  But suddenly I was 300 pages in and realized I was completely sucked into the story, differences be damned.  Lagercrantz has still managed to create an excellent mystery full of espionage and seedy doings, and the spirit of the originals is certainly there.  I will say that the ending was a bit kitschy (full of too many sudden romantic successes, presumably for a "happy" ending?).  But otherwise, I was happy to have Lisbeth Salander back in my life, and would welcome more of her besides.

Run Like A Mother by Dimity McDowell and Sarah Bowen Shea
Andrews McMeel Publishing, 2010
borrowed from the library

I run!  And I'm a mother!  So I felt like I definitely had to check this book out.  This is a nonfiction guide to running specifically for busy moms who are juggling husbands, kids, jobs, etc. with their love of getting on the road (or the trail).  The introduction and first chapter had me completely HOOKED.  I felt like McDowell and Shea were totally speaking my mother-runner language.  It was great to read stories about how other moms manage to balance running with all of the other priorities in their lives.  However, after that first chapter, I did realize that this book is primarily geared towards beginner runners--a lot of the next sections covered things like choosing the proper running attire, how to do speed/track workouts, etc...things that more seasoned runners are already quite familiar with, though I did appreciate the reminders here and there.  Towards the end, they get more into the balance of family and running life, which was more of what I was looking for.

I didn't love the repetitively cheesy humor used by the authors, but it was manageable.  I DO like that Shea and McDowell are two very different runners, and as such, provided two very different perspectives on the sport.  McDowell, like me, is more of a laid-back runner who does not always push herself to the max, whereas Shea is more driven, always going for the PR and leaving everything out on the road.  So there's something for every momma here.  Overall, this was a fun read with a great angle, but may be better for beginning mother runners, rather than veterans of the road.

On Immunity by Eula Biss
Graywolf Press, 2014
borrowed from the library

Yes, I managed to read 2 nonfictions for Nonfiction November!  Amazing!  On Immunity has been on my radar since it first came out, because if you know me, you know that I don't stand on many soapboxes, but VACCINATING YOUR DAMN KIDS is one of them.  I was mighty interested in what Biss had to say here, and I am 100% open about the fact that I went into this with a biased POV--so you've been warned.  :)

This book was actually quite a bit different than what I anticipated.  I think I was expecting a straightforward, research-driven discussion of the immunization debate.  That is certainly the basis of her essays--Biss has done her research, and (unsurprisingly!) it throws in favor of vaccinations--but as the tone of the title suggests, this book is also a good bit of musing on her part, regarding the fears she faced as a parent when her son was born, and how that translated into the immunization issue as a whole.  I'm torn on how I feel about this approach.  I am partially thankful for the humanizing touch that this gave the topic, but at the same time, I was kind of hoping for a stronger, more hard-hitting book that could really be used to shut down the anti-vaccine stance.  This book wanders too much down the road of an academic waxing philosophical for it to be seen as that.

Overall, this one will certainly get the immunization discussion going, and it is a unique angle in the debate.  And while she never comes out and definitively says it, all of Biss's research points towards the need to vaccinate, which I appreciate.  However, this is not a focused discussion of the issues, so if you're looking for that, go elsewhere.

What did you read so far this month?

Tuesday, March 12, 2013

The One In Which I Have Beef With Hollywood

Am I the only one that thinks Hollywood is running out of material?  I feel like one out of every 2-3 movie previews I see these days is an adaptation from a novel.

Granted, this can be a good thing (The Godfather, Shutter Island, and the Harry Potters come to mind).  But often, it is not (The Stand miniseries...GAH.  And Jurassic Park the book, SO MUCH BETTER than the movie).

So I decided to see how Hollywood fared with some of my literary favorites.  I went through my faves list on Goodreads, and picked out the books that had movie adaptations (that I've seen).  Here's my assessment:

1. Atonement by Ian McEwan

This is a perfect example of a movie that was very good...just not QUITE so good as the book.  The novel wow'ed me with the way McEwan used language to draw out these subtle undercurrents between all of the characters.  This is not something that translates well into film.  While I do think the movie retained an atmosphere similar to that of the book, there is just a feeling of something being missing when you compare it to the prose.

2. What Dreams May Come by Richard Matheson

Both the movie and the book made me cry.  However, this is one of those movies that, though enjoyable, completely leaves out and/or changes significant parts of the novel.  And when I like a book to begin with, it's tough to see significant changes made in the movie version...even if the movie is otherwise excellent.

3. The Time Traveler's Wife by Audrey Niffenegger

Potentially my all-time favorite book, and a complete flop on screen.  First of all, the time travel just does not translate well between how Niffenegger wrote it and how it was done in the movie.  A lot was lost there.  And THE ENDING.  This goes up there with My Sister's Keeper for Worst Hollywood Butchering of a Book Ending.  Horrid.

4. The Girl With The Dragon Tattoo by Stieg Larsson (US version)

I have absolutely nothing bad to say about this movie.  NAILED IT.  Right down to the dark-and-depressing atmosphere/setting.  I loved the opening song on the soundtrack (so fitting, and it's actually on my running playlist now), and Rooney Mara is a fan-fricking-tastic Lisbeth Salander.

5. The Lovely Bones by Alice Sebold

I felt kind of blah about this movie.  It's an extremely Hollywood-ized version of the book.  The whole illustration of Susie's "heaven" in the movie was quite obviously adapted so that it would be visually pleasing on screen.  And a LOT of important details were left out regarding the circumstances surrounding Susie's death and the investigation afterwards.  As a result, I think the book packs a much more powerful punch.

6. Matilda by Roald Dahl

Ah, a favorite from my childhood!  And I'm happy to say that the movie did not disappoint.  I adore the film version, and as a kid I loved seeing a visual representation of the book heroine I had come to love. Plus, the movie highlights some of the funny parts a bit better than the book.  I am definitely due for a re-watch (and a re-read) of this one.

What do you think, readers?  How has Hollywood handled some of your literary favorites?
 
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